Susie Elliott

Quilted fabric, Plaster Feet, Wood

I have always loved birdwatching, and Travelers’ Rest State Park is a beautiful place to admire the birds. At the base of the bridge, there was a magpie nest, and over the course of the project, we were able to admire how it changed week by week. I was convinced that I was going to draw and carve magpies for the project, and yet, instead, I found myself drawn to carving out the tree bark. It was so meditative to carve, and I was enjoying the looseness of the bark, the knots in the trees, and the repetition. 

Right before the project began, my grandfather, who was diagnosed with polio at a young age, went into hospice care. Every Monday, while showing up to work on this project, it felt like a way to connect with him from far away. He was paralyzed from the waist down, and spending time thinking about feet and sturdiness would always lead me back to thinking of him. 

After the sessions concluded, and I was working on covering my log base, I got to thinking of community and collaboration, which inspired a quilt. The patches, like a community, are stitched together to create a whole. Wanting to channel the same flow and meditation of carving the tree bark, I chose to join the quilt improvisationally, without thinking of what the final outcome would look like, and got into a repetitive rhythm. As I worked on the little quilt block, my grandfather passed. Part of him is stitched up in there somewhere. 


Bio: Susie Elliott is an artist, sewist, and friend. After moving from South Carolina to attend the University of Montana, Susie put down roots in Missoula. With a BFA in painting and a lover of fiber arts, she currently runs Morning Star, an upcycled clothing brand specializing in raw-edge appliqué patch designs, and works as the Events and Exhibition Coordinator for Open AIR. In her free time, you can find her in her a-frame roof studio, knitting with her cat, or splashing in the river.

Candace Garlock

As an artist, Candace Nicol Garlock uses an array of mediums in her work. The coalescence of printmaking techniques, painting, photography (and sculpture, too!) overlap and converge with color, texture and line in a collaboration of mixed, experimental beauty. With her appreciation of the interconnectedness of everything, she elevates relationships: human and environment, human and animal, human and human. She writes, “my multilayered compositions posit engaging questions to viewers regarding relationships, social identities, and societal issues surrounding the female gaze.”

Garlock's mentorship in student advancement, both artistically and professionally, as well as her engagement and participation in community events makes her a true ambassador of art. She draws inspiration from the collaboration of those around her, through the interplay with students, and continually is organizing collaborative projects. A renown printmaker whose work has been shown nationally and internationally, she has received multiple awards including the Reno Tahoe Artist Best in Sculpture/3-D Artworks in 2022, Best of Show and Best in 2D Mixed Media in 2023 and Best in 2-D Artworks in 2024, the Nevada Regents’ Creative Activity Award in 2017, the Nevada Arts Council Artist Fellowship in 2009 and an honorable mention in Printmaking Today in 2008, a review of fine art printmaking in Abruzzo, Italy. Nicol’s work can also be seen in 100 Artists of the Male Figure by E.Gibbons. Her work is included in many prestigious collections including the Kinsey Institute, Zuckerman Museum of Art, Rutgers Center for Innovative Print and Paper, Nevada Arts Council, and National Taiwan Museum of Fine Arts.

https://candacenicolgarlock.com
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